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Destination Unimportant

by BeJae Fleming

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1.
Will You Meet Me (Chorus) Will you meet me by the water Will you meet me at the Gates Will you meet me just as we both are Will you meet me halfway I come to you with a weathered beauty I come to you with a stormy past I come to you with a tempered spirit I come to you with hope held fast (Chorus) I wrote you into my future I wrote you in my memories Fate wrote me a long and twisted road to you Fate wrote that you would wait for me (Chorus) We had danced in the dark of confusion We have danced in the arms of delight It is the dance of our lives together It is the give and the take that we dance tonight (Chorus) (Chorus changed to) I will meet you …
2.
Hurricane season, storm coming fast Homeless huddled underneath the 10th Street overpass Traffic headed one way, the ocean swells and heaves The cautious getting out before it’s too late to leave Wind screams through the alleys in the seedy part of town It’s hurricane season, rain’s coming down Hurricane season, sounds like a howling moan Wires snap and sizzle, electricity is gone The faithful pray to Jesus to lead them to the light The disbelievers tremble in a holy ghost night Sirens wail, thunder rolls, dogs bay in their yards It’s hurricane season rain’s falling hard Hurricane season, eye of the storm Everything quiet, won’t be for long Deserted buildings, boarded-up glass Everything waiting for the next blast Hurricane season, the smart ones get away Only fools who look for trouble and the long-forgotten stay Waiting out the devastation waiting for some saving grace Waiting for the transformation to take place Waiting for the awful cleansing and the born-again new It’s hurricane season and I’m waiting – waiting for you
3.
When it comes to you it’s like a blinding flash It’s never going to happen, she’s never going to ask You to crawl through her window on some summer night It takes you by surprise, for so long you told yourself she might Just change her mind about you, she might change her ways When it comes to you’re so amazed When it comes to you When it comes to you, you don’t let it in You close your eyes, close your door, choose to fool yourself again Refuse to listen, refuse to see You don’t want to know, don’t what to know, don’t want to know, when it comes to me In the dead of night, in the heat of day When it comes to you, you just turn away When it comes to you When it comes to you, I stay up all night Pretending I am her, pretending I know what it’s like To be devoured, feel your hungry thoughts that run All over me like I was sustenance when the harvest fails and the winter comes When the wind blows and the bough breaks When it comes to you I am dangerously wide awake When it come to you
4.
Watched water rolling over the dam Gone, gone, gone Burned bridges downstream both of us Wrong, wrong, wrong Leaves drifting on a current Pulled along, pulled apart Direction predetermined Still we don’t know where we are Chorus: We stared into the sun too long Straight up, high noon Now we’re bright-blinded, stumbling Taking a run at the moon Soles worn thin on our shoes Broken road Don’t know which way to turn Still we go Can’t remember where we started There’s no telling where it ends Nothing round here looks familiar Even though it’s where we’ve been Chorus Those strings that tied us down have all Come undone We’re lucky or we’re lost Never sure which one We’re traveling in circles Still there’s no going back again We finally found our way to nowhere Just as the dark comes slipping in Chorus
5.
I dreamed last night that I’d forgotten you In some other place where I did not think of you I walked beside a river, between frozen trees I didn’t see you outside, I didn’t feel you inside me Chorus: I woke up this morning You were on my mind I woke up this morning You were on my mind I dreamed last night that I was never close to you I had passed you by, never felt the pull of you Into some other life where you could not find your way to me And from that moment on you never once occurred to me Chorus I dreamed last night that I was finally through with you I was satisfied, finally got my fill of you And drunkenly I stumbled into the street alone The night was old and broken and I finally felt like going home Chorus
6.
It’s way past midnight, I’m a little off track I’m a little bit lost, I’m trying to get back All turned around, no direction is clear Where did I go wrong, how did I end up here Chorus: You’d better run when you see me coming I got the bad luck won’t leave me alone I got the needle, just hit empty And it’s still a long way home The young ones used to watch me trying to figure out how I did the magic, you wouldn’t know to look at me now I’m down at the bottom of my bag of tricks Nothing left but nicotine-stained Statocaster licks Chorus Bridge There was nothing but good luck in the early days Time passed, things changed, there was hell to pay But, nothing else mattered, no worry, no doubt No money, no chance, no easy way out Now my mind’s gone slack, but I’m still wound tight I’m like a small-town bar on a Saturday night You’d better take a good look, hear what I say Turn around now, don’t end up this way Chorus
7.
Rudy's 06:28
Lying on his car in the parking lot of Rudy’s The heat from the kitchen started messing with his head The dinner crowd’s not in yet, it’s still so very early As he stares off at a speck there in the sky Chorus: (He, She, You) want(s) to fly Destination unimportant Spread his wings like an angel and fly Cause, we all got wings That’s what (the boy/Ronda) tells (me/her) We all got wings The sky is getting dark above the parking lot of Rudy’s The rain he’s lying under’s falling steady on his face Above the clouds a jet trails off, his vision’s getting blurry As he rubs the drops of rain from his eyes Chorus (Bridge) Ronda’s waiting tables moving way too fast notice Until every dish is dirty then she hits the backdoor screen Hollering his name, yelling get yourself back in here But it’s dark out and that boy’s nowhere to be seen Ronda takes the trash out to the parking lot of Rudy’s Two days of double shifts started messing with her feet It’s so very late, she thinks of him, she worries Then she shuffles off like someone left behind Chorus Now I’m standing in what used to be the parking lot of Rudy’s Thirty years have swept that diner and Ronda clean away But on the ruined air that rushes past me in a hurry Ronda left me this message, Some things you can’t hold back even if you try, she says Chorus
8.
Earleton 03:25
There’s snow blowing over the border of Iowa Two inches already in Osceola I’m going back to Earleton some of these days Going back to Earleton some of these days Warm in the winter, scrub pine trees Cypress swamps, short shirt-sleeves Going back to Earleton some of these days I’m going back to Earleton some of these days Somebody I’ve loved since I remember Waits for me there however far I wander I’m going back to Earleton some of these days Going back to Earleton some of these days Somebody I know won’t forget me When the cold wind stings me here on the prairie Going back to Earleton some of these days I’m going back to Earleton some of these days Someday I’m gonna leave this cold behind me You can look down South if you want to try and find me I’m going back to Earleton some of these days Going back to Earleton some of these days Where the sun shines hot and it never freezes Let my skin go dark, feel the ocean breezes Going back to Earleton some of these days I’m going back to Earleton some of these days
9.
Memphis 04:44
Have you ever been standing in the pouring rain Have you ever been to Memphis when nobody knows your name Have you ever been invisible, ever been overlooked Not on anybody’s mind, not in anybody’s book Have you ever wished you could just crawl back to from where you came Have you ever been to Memphis when nobody knows your name My friend, Bill, told me, If you come I’ll introduce you all around, you’re gonna have so much fun And everybody gonna love you for your talent and you wit And for your cleverness, Bill was sure of it When nobody loved me I made sure Bill was sorry as I was that I came Have you ever been to Memphis when nobody knows your name (Bridge) My friend, Bill, he said, Think hard before you choose To have everybody interested in every little thing you do I left Memphis and went back to my hometown Though I’d been away for so long, when I walked around Everybody knew me, and everyone I met Reminded me of something I’d left there to forget The truth barreled in and hit me hard when it came I’d rather be in Memphis where nobody knows my name Have you ever been stranded in the pouring rain Have you ever been to Memphis when nobody knows your name Did you ever kick your shoes off, go splashing down the street With no need to be presentable, no need to be discreet Have you ever tasted freedom and did you find it far too sweet to trade for fame Have you ever been to Memphis when nobody knows your name
10.
Dull Ache 04:40
Six hours ago you said good-bye at the airport Now there’s nobody waiting when she steps off the plane She picks up her bag, gets a bus at the corner Rides another three hours through the cold autumn rain Chorus Some things don’t change, some things don’t ever end You say you’re through, then you go back again You give up all the ground that you’ve won For this dull ache that you can count on She’s gone to the one who speaks in tongues like the angels Who’ll make her believe in the mysterious divine Who’ll turn out to be another sleight-of-hand shyster She falls for the same tricks every time Chorus She never expects it, but it’s what always happens Kindness turns cruel, devotion turns mean And soon she will call you, all damaged and broken With excuses for why things were not as they seemed Chorus You’re not the first of her fast friends drunk on her misery Not the last one left shaking, strung out on her pain You’re not the only one swearing when she calls you won’t answer You’re just one more backslider caught out in the rain Chorus
11.
Hard Wheels 04:40
You wanted a lover who smelled like October Who tasted like pines that grow beside the French Broad River Who moved like the trains on the Sterling Street tracks Rolling slow before midnight, then faster, clickety-clack, clickety-clack You with your slow train ways, me with my dark town days Little Boy Blue come blow your horn, the butcher’s on the moon, the cows have stolen all the corn The cat’s in the cradle, the dogs are on the run I may kiss you before I leave, then again I might just travel on (Chorus) Hard wheels on steel rails shook the floor where you were living Rattled the windows and the cups in the kitchen Signaled a warning so loud you couldn’t miss it Better watch out, watch out, but you wouldn’t listen Railroad trestle, deserted back road She’d asked for a ride, she was only fourteen years old And the man in the van made sure she never can tell Pushed into the backseat, pushed straight into hell Just a girl from New Jersey with Rockaway eyes Now she’s about to meet God with this Devil by her side So she dreams she’s a bird or some fast flying train Rolling clean into last night, back home safe again (Chorus) Her daddy will miss her, her mama will cry Brother keeps silent, they all want this bastard to fry But, he’s no different from them, from you or from me The mystery of longing is that we all wanna be Touching someone in some way that will last For some it is tender, for others it is barbed wire and broken glass And you won’t know beforehand, no you never can tell If it’s good luck or peril, goodnight or fare thee well (Chorus)
12.
I’m on the last train to Memphis, I’m feeling old and worn It’s the sixteenth day of August, it’s the day the king died, it’s the day that you were born Jesse’s right beside me as the whistle starts blowing Telling me to step off, telling you to keep going They say that Jesse did it all for the love of his twin Set his own life aside so the king could step in The money-changers cheered, the old folks were alarmed When they heard the news, a king is born A king was born on the outskirts of town To the Pharisees he’s nothing but a hip-shaking clown But, when the evening falls and the house lights dim Every song we sing is a memory of him Last time I saw you on the road you were looking tired and drawn You said you might slow down as you gunned it to move on Me and Jesse wished you well as you were headed off to some Seedy joint you were playing out on Highway 61 The king stirred it up and the preachers spoke of sin Crowds going wild, the Colonel cashing in The blues men cursed and the jazz cats cried But, there wasn’t one among them could have turned this tide A king was born, wrong side of the tracks The critics called him just a white boy gone black But when the curtain falls and the spotlights dim We don’t remember their names, but we can’t forget him Me and Jesse caught your show out on Beale Street last night Everybody was dancing, you were cooking all right Off in a corner me and Jess raised our glasses high To the ones who never made it, to the ones left behind It came as no surprise when the king rolled on When the last trained pulled away he was already long gone Me and Jesse slipped away before the whistle blew We couldn’t bear to hear that lonesome sound we both already knew A king born below the Mason-Dixon line Some say he was a profit way ahead of his time But, when the crowd went home and there was no one else He never shook the feeling he’d lost part of himself I’m on the last train to Memphis, I’m feeling old and worn It’s the sixteenth day of August It’s the day the king died It’s the day you were born

credits

released January 6, 2006

Musicians
BeJae Fleming - acoustic guitar, vocals
Jackie Blount - fretless bass
Al Clarke - electric guitar
David Zollo - keyboards
Steve Hayes - drums
Patrick Brickel - percussion

All songs by BeJae Fleming (Utopia Road Music, BMI) except:
Run At the Moon, BeJae Fleming and Lou Allison (Utopia Road Music, BMI)
Long Way Home and Dull Ache, BeJae Fleming and Al Clarke (Utopia Road Music, BMI)
Rudy's, BeJae Fleming and Andy Fleming (Utopia Road Music, BMI)
Hard Wheels and Last Train to Memphis, BeJae Fleming (Utopia Road Music, BMI) and Jack Norton (Feed Cap Music, ASCAP)

Produced by David Zollo

Recorded, Mixed, Mastered by Patrick Brickel, PZM Studios, Iowa City, IA (2005)

Layout by Elizabeth Oxler; Photos by Matt Kollasch.

Special thanks to Jim Ritchey ans Victor Sanders for their gentle, but persistent mentoring, to Leigh Adcock for her generous help with booking, and to the Iowa Arts Council for support and funding.

This recording is for Nick Clarke, Rocco Zollo, Sophia Fleming, Tula Brickel and Isabella Fleming: Carry on.

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